The Renaissance marked a profound transformation in art across Europe, particularly in the Low Countries. This period, spanning from the late 14th to the early 17th century, emphasized humanism, naturalism, and a revival of classical themes. In Northern Europe, artists like Jan van Eyck and Hieronymus Bosch laid the groundwork for a rich tradition that influenced subsequent generations, including Bernard Van Orley.
Bernard Van Orley (c. 1491–1542) was a pivotal figure in the Northern Renaissance. Born in Brussels, he trained under the renowned Hugo van der Goes. Van Orley became known for his intricate altarpieces and tapestries, blending Flemish traditions with Italian influences. His work on the Altarpiece of Sts Thomas and Matthias exemplifies this synthesis, showcasing his mastery of color and composition.
In 16th century Belgium, religion played a central role in daily life. The Catholic Church commissioned numerous artworks to inspire devotion among the faithful. The Altarpiece of Sts Thomas and Matthias served not only as a visual focal point in worship but also as a didactic tool, conveying theological messages through its iconography.
The Altarpiece of Sts Thomas and Matthias is a stunning triptych, consisting of three panels that open to reveal a rich narrative. The central panel features the saints, while the side panels depict scenes from their lives. This structure symbolizes the connection between the divine and the earthly, inviting viewers to engage with the sacred.
Van Orley employed a vibrant color palette that enhances the emotional resonance of the altarpiece. His use of oil paints allowed for rich layering and glazing, creating depth and luminosity. The colors evoke a sense of spirituality, drawing the viewer into the narrative.
Saint Thomas, often depicted with a doubting expression, holds a gospel book and a builder’s square, symbolizing his role as a patron of architects and builders. His presence in the altarpiece emphasizes faith and the quest for truth.
Saint Matthias, chosen to replace Judas Iscariot, is represented with a halberd and a book, signifying his martyrdom and commitment to spreading the Gospel. His inclusion highlights themes of redemption and divine selection.
Van Orley’s mastery of oil painting techniques is evident in the Altarpiece of Sts Thomas and Matthias. He utilized layering to build up colors gradually, achieving a rich texture and depth. Glazing added luminosity, allowing light to interact with the surface in captivating ways.
The application of chiaroscuro — the contrast of light and shadow — creates a three-dimensional effect in the altarpiece. This technique enhances the emotional impact of the figures, making them appear more lifelike and engaging.
Van Orley’s attention to detail is particularly evident in the rendering of fabric and skin. He skillfully depicted the textures of clothing, using delicate brushwork to convey the softness of fabric and the warmth of human skin, inviting viewers to appreciate the physicality of the saints.
Van Orley’s work reflects the influence of the Flemish Primitives, particularly in his attention to detail and use of symbolism. Artists like Jan van Eyck set a high standard for realism that Van Orley built upon, incorporating more narrative elements into his compositions.
While Italian Renaissance artists focused on perspective and anatomical accuracy, Van Orley emphasized color and emotional expression. His work serves as a bridge between the detailed realism of the North and the idealized forms of the South.
The Altarpiece of Sts Thomas and Matthias influenced later artists, particularly in the Baroque period, who adopted its dramatic use of color and light. Van Orley’s techniques can be seen in the works of artists like Peter Paul Rubens, who further explored emotional depth in religious art.
Since its completion in the early 16th century, the Altarpiece of Sts Thomas and Matthias has undergone a remarkable journey. Originally housed in a church in Brussels, it has been relocated several times, reflecting the tumultuous history of the region.
Conservationists have employed various techniques to preserve the altarpiece, including cleaning and restoration of the original colors. Challenges include environmental factors and the need to maintain the integrity of the original materials.
Today, the Altarpiece of Sts Thomas and Matthias is on display at the Royal Museums of Fine Arts of Belgium in Brussels. Visitors can appreciate its intricate details and historical significance in a dedicated exhibition space.
Van Orley’s altarpiece significantly impacted religious art in the Low Countries. Its blend of narrative and symbolism set a precedent for future works, encouraging artists to explore complex theological themes.
The Altarpiece of Sts Thomas and Matthias contributed to the evolution of altarpiece design, inspiring artists to adopt the triptych format and incorporate dynamic compositions that engage viewers.
Throughout history, the altarpiece has received acclaim for its artistic merit. Critics have praised Van Orley’s ability to convey deep spiritual themes through visual storytelling, making it a cherished piece in the canon of Northern Renaissance art.
Viewers often report a profound emotional and spiritual engagement when encountering the Altarpiece of Sts Thomas and Matthias. The vivid colors and expressive figures invite contemplation and reflection on faith and devotion.
The altarpiece teaches contemporary audiences about the power of art to convey complex ideas and emotions. It serves as a reminder of the enduring relationship between art and spirituality.
Van Orley’s work remains relevant today, as artists continue to explore themes of faith, identity, and human experience. The Altarpiece of Sts Thomas and Matthias stands as a testament to the timeless nature of these explorations.
Thomas Okafor, Content Specialist
Thomas specializes in African art and its influence on Western modernism. He has conducted extensive fieldwork throughout Africa documenting traditional and contemporary art practices.
Specialization: African Art, Cultural Heritage
Lady Holding An Heraldic Shield Within a Painted Niche by Bernard Van Orley, an oil painting in the Northern Renaissance style with cultural heritage religious themes.
