Edward Burne-Jones (1833-1898) was a prominent British artist associated with the Pre-Raphaelite Brotherhood. Born in Birmingham, he initially pursued a career in theology before turning to art. His education at the Oxford School of Art and later at the Royal Academy shaped his unique style, which combined elements of Romanticism and Symbolism.
Burne-Jones was deeply influenced by the Pre-Raphaelite Brotherhood, a group that sought to return to the detail, intense colors, and complex compositions of medieval art. His works often reflect their ideals, emphasizing beauty, nature, and mythological themes. This connection established him as a key figure in the Victorian art scene.
Burne-Jones employed a variety of techniques, including oil painting, watercolor, and stained glass design. His style is characterized by elongated figures, intricate patterns, and a dreamlike quality. He often used a muted color palette, which enhanced the ethereal nature of his subjects.
Created in 1898, Pygmalion and the Image II: The Hand Refrains reflects the late 19th-century fascination with mythology and the human condition. This period saw a resurgence of interest in classical themes, influenced by the broader Symbolist movement.
Burne-Jones was influenced by the Symbolist movement, which emphasized emotion and the imagination over realism. This influence is evident in the painting’s dreamlike quality and its exploration of complex themes.
The late 19th century was marked by significant social and political changes, including the rise of the Industrial Revolution and shifts in artistic expression. These changes prompted artists like Burne-Jones to explore deeper emotional and philosophical themes in their work.
The painting draws on the myth of Pygmalion, a sculptor who fell in love with his own creation, Galatea. This theme of love intertwined with creation speaks to the artist’s own struggles with artistic expression and the nature of beauty.
The hand in the painting symbolizes restraint and the tension between desire and reality. It represents the artist’s contemplation of the creative process and the emotional distance between the creator and the created.
Burne-Jones utilized a muted color palette dominated by soft blues, greens, and warm earth tones. These choices evoke a sense of tranquility and introspection, enhancing the painting’s emotional depth.
The composition is carefully balanced, with Pygmalion positioned to draw the viewer’s eye towards Galatea. This focus on the figures creates a dynamic interplay between the characters and their surroundings.
Pygmalion is depicted as a contemplative figure, embodying the artist’s longing and desire. His expression reflects a mix of awe and hesitation, capturing the complexity of his emotions towards Galatea.
Galatea represents the idealized woman, a recurring motif in Burne-Jones" work. Her serene expression and graceful form symbolize unattainable beauty and the artist’s quest for perfection.
Burne-Jones skillfully employed light and shadow to create depth and dimension. The soft transitions between light and dark enhance the ethereal quality of the figures.
The meticulous brushwork showcases Burne-Jones" craftsmanship. Each detail, from the fabric of Pygmalion’s clothing to the smoothness of Galatea’s skin, reflects his dedication to realism and beauty.
While Pygmalion and the Image II explores themes of love and creation, The Golden Stairs focuses on the journey of life and the passage of time. Both works, however, share a common thread of idealized beauty and emotional depth.
Burne-Jones frequently revisited mythological themes, often depicting figures from classical stories. This recurrence highlights his fascination with the interplay between myth and human experience.
The themes and techniques in Pygmalion and the Image II have influenced numerous contemporary artists. The exploration of myth and emotion continues to resonate in modern artistic expressions.
Burne-Jones" work has inspired various reinterpretations in literature, film, and visual arts. The story of Pygmalion remains a powerful narrative, reflecting ongoing themes of love and creation.
Pygmalion and the Image II has been featured in several notable exhibitions, including the Royal Academy Summer Exhibition and various retrospectives of Burne-Jones" work. These exhibitions have significantly impacted public reception and appreciation of his art.
Exhibitions have allowed audiences to engage with Burne-Jones" work, fostering a deeper understanding of his artistic vision and the themes he explored.
The original painting is housed in the Fitzwilliam Museum in Cambridge, England. This museum is renowned for its collection of fine art and provides an excellent context for viewing Burne-Jones" masterpieces.
The Fitzwilliam Museum offers visitors a chance to explore a wide range of artworks, including those by Burne-Jones. The museum’s commitment to preserving and showcasing art makes it a vital destination for art lovers.
Pygmalion and the Image II continues to resonate with audiences due to its exploration of timeless themes such as love, creation, and the nature of beauty. Its emotional depth and artistic mastery ensure its place in art history.
Edward Burne-Jones" work, particularly Pygmalion and the Image II, exemplifies the rich interplay between mythology and human emotion. His legacy endures, inspiring future generations of artists and art enthusiasts alike.
Maria Rodriguez, Research Director
Maria leads our research team, ensuring comprehensive coverage of diverse artistic traditions. Her work focuses on expanding representation of non-Western art in our database.
Specialization: Global Art History, Latin American Art
Pygmalion and the Image II: The Hand Refrains by Edward Burne-Jones
