Mārtiņš Costa
@martins-costa
colour theory rabbit hole, year three
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- 1wPortrait of F. Ye. Yakovlevreworded caption
- 2wOlive Trees, Florenceadded note on the sitter's identity
- 2wPortrait of Prince V. N. Tenishevadjusted capitalization
- 2wThe Peasants and the Satyrcorrected medium spelling
- 4wInterior of the Baptistry at St. Mark"sadded exhibition history
- 4wPortrait of Mary Susanne Dinglinger, born Gutermannadded bibliography entry
- 4wAnna Karolina Orzelskaexpanded the commission background
- 4wThe Songadded exhibition history
- 4wSunlight and Shadow, Shinnecock Hillsexpanded technique section
- 1moWomen plucking geesefixed date format
- 1moMonastery complex on the Gulf of Naples near Sorrentoconverted dimensions to cm
- 1moPortrait of a Woman - The White Dressclarified attribution
- 1moThe fortune tellerupdated collection name
- 1moPortrait of the Artist’s Daughter (Dorothy)clarified the relation to the series
- 1moJean Philippe Baratier presented by Minerva, German scholardescribed the underdrawing
- 1moMr. John Williamsdetailed the pigment analysis
- 1moHarvestsorted categories
- 1moA Sketch of My Hound Kuttieadded context on the first owner
- 2moPortrait of a Lady with a Roseadded context on the first owner
- 2moPortrait of a Gentlemanadded conservation note
- 2moProspect Park, Brooklyn 02added note on the sitter's identity
- 2moThe Angel of the Lord Announcing the Resurrectiondescribed the underdrawing
- 2moPortrait of Erla Howell (Little Miss H.)added conservation note
- 2moFor the Little One, aka Hall at Shinnecockexpanded technique section
- 2moThe Death of Brunelleschinormalized artist name
- 2moThe LIttle Red Bowlexpanded the iconography reading
- 2moCupid and Psycheclarified attribution
- 2moPortrait of Queen Charlotte of the United Kingdom, with Windsor and the royal family in the backgroundadded conservation note
- 3moTwo Arabsfixed accent in artist name
- 3moIsaac’s servant trying the bracelet on Rebecca’s armadded provenance note
- 3moPortrait of James Whitcomb Rileydescribed the underdrawing
- 3moProspect Park, Brooklynadded note on the sitter's identity
- 3moIn the Park, Parisdetailed the pigment analysis
- 3moColesberry Purvesclarified attribution
- 3moSelf Portraitclarified attribution
- 3moThe Warriordated from the catalogue raisonne
- 3moThe Big Brass Bowlexpanded the commission background
- 3moPortrait of Harriet Hubbard Ayersnoted the preparatory study
- 3moThe Ruins at Sunion, Greecetrimmed redundant wording
- 3moRepair Docks, Gowanus Pierdated from the catalogue raisonne
- 3moYoung Girladded conservation note
- 3moSimeon with the Infant Jesusadded provenance note
- 3moThe Big Oleanderexpanded the iconography reading
- 3moProspect Parkadded note on the sitter's identity
- 3moVeniceadded exhibition history
- 3moCountess Friederike von Ansbachexpanded the iconography reading
- 4moReady For The Rideadded provenance note
- 4moShinnecock Hills, aka A View of Shinnecocknoted the preparatory study
- 4moCatarina Both van der Eemconverted dimensions to cm
- 4moEnd of the season Sunadded context on the first owner