Elisabeth Jerichau-Baumann (1815-1881) stands out as a significant figure in 19th-century art. Born in Poland and later residing in Denmark, she broke barriers in a male-dominated field. Jerichau-Baumann’s work often focused on themes of femininity and identity, making her a trailblazer for future generations of female artists.
The painting Seated Girl with Folded Hands emerged during a time when Romanticism and Realism were prominent. These movements emphasized emotional depth and a connection to reality, respectively. Jerichau-Baumann’s work reflects these influences, blending romantic ideals with realistic portrayals of her subjects.
The composition of Seated Girl with Folded Hands features a young girl seated against a muted background. The artist employs a subdued color palette dominated by soft earth tones, which contrasts with the vibrant checkered shawl draped around the girl’s shoulders. This contrast draws the viewer’s eye and emphasizes the subject’s innocence.
The checkered shawl serves as a significant textural element in the painting. Its intricate patterns symbolize the complexity of femininity and the societal roles women played during the 19th century. The shawl’s texture invites viewers to appreciate the tactile quality of the artwork.
The girl’s facial expression, characterized by a serene gaze, captures a sense of innocence and contemplation. Her body language, with hands gently folded, suggests a moment of quiet reflection, inviting viewers to ponder her thoughts and feelings.
Jerichau-Baumann utilized oil on canvas for this artwork, a medium known for its versatility and depth of color. This choice allows for rich textures and a luminous quality that enhances the emotional impact of the piece.
The artist skillfully employs both impasto and glazing techniques. Impasto adds dimension to the shawl, while glazing creates a smooth finish on the girl’s skin, highlighting her youthful features. This combination showcases Jerichau-Baumann’s mastery of oil painting.
The gesture of the girl’s folded hands symbolizes contemplation and introspection. This pose invites viewers to reflect on their own experiences of innocence and the transition into adulthood.
Jerichau-Baumann’s portrayal of the young girl reflects the broader theme of femininity in 19th-century art. The painting challenges traditional representations by emphasizing the inner life and emotional depth of its female subject.
Jerichau-Baumann’s pioneering spirit paved the way for future female artists. Her focus on women’s experiences and emotions inspired many to explore similar themes in their own work.
Upon its exhibition, Seated Girl with Folded Hands received acclaim for its emotional depth and technical skill. Art historians recognize it as a significant contribution to the discourse on femininity in art.
Jerichau-Baumann’s work shares similarities with other portraits of young girls from the same era, such as those by Mary Cassatt. Both artists capture the essence of childhood and femininity through their unique styles.
Unlike many male artists of her time, Jerichau-Baumann focused on the inner lives of her subjects. This perspective contrasts sharply with the often objectified portrayals of women in male-dominated art, highlighting her unique contribution to the field.
Seated Girl with Folded Hands has been featured in several notable exhibitions, including retrospectives of Jerichau-Baumann’s work. These exhibitions have helped to elevate her status in art history.
The painting is currently housed in the National Gallery of Denmark, where it continues to be appreciated by visitors and art enthusiasts alike.
Viewers often report a strong emotional connection to the painting. The girl’s serene expression and contemplative pose resonate with many, evoking feelings of nostalgia and reflection.
Art historians praise Jerichau-Baumann for her ability to convey complex emotions through simple gestures. Critics highlight the painting’s timeless quality, which continues to engage audiences today.
Seated Girl with Folded Hands remains relevant due to its exploration of themes such as innocence and femininity. Jerichau-Baumann’s ability to capture the essence of her subject transcends time and continues to resonate with contemporary audiences.
This masterpiece invites viewers to consider the intersection of art and identity, particularly in the context of women’s experiences. Jerichau-Baumann’s work serves as a reminder of the importance of diverse perspectives in the art world.
Thomas Okafor, Content Specialist
Thomas specializes in African art and its influence on Western modernism. He has conducted extensive fieldwork throughout Africa documenting traditional and contemporary art practices.
Specialization: African Art, Cultural Heritage
Seated girl with folded hands and a checkered shawl around her shoulders by Elisabeth Jerichau-Baumann
Date
1857
Location
Private Collection
Dimensions
110 x 78 cm
Style
🖼️RomanticismPeriod
🧵19th CenturyNationality
Polish
