"Suicide by Asphyxiation" is a poignant painting created by the Italian artist Angelo Morbelli in 1891. This artwork captures the profound themes of despair and isolation, reflecting the socio-political climate of late 19th century Italy. Morbelli’s unique style and emotional depth make this piece a significant contribution to the Symbolist movement.
During the late 19th century, Italy experienced significant social and political upheaval. The unification of Italy in 1861 brought about a new national identity, but it also led to widespread disillusionment among the populace. Economic struggles and the rise of industrialization contributed to a sense of alienation, which Morbelli poignantly captures in his work.
The Symbolist movement, which emphasized emotional experience over realism, greatly influenced Morbelli. His use of symbolism in Suicide by Asphyxiation reflects the inner turmoil of individuals grappling with societal pressures. This painting serves as a visual metaphor for the suffocating nature of despair.
Morbelli expertly employs light and shadow to enhance the emotional weight of the scene. The stark contrasts create a dramatic atmosphere, drawing the viewer’s eye to the central figure, who embodies profound sorrow.
The color palette predominantly features shades of blue and gray, symbolizing melancholy and despair. These colors evoke feelings of isolation, reinforcing the painting’s themes of hopelessness.
The central figure in the painting is a woman, whose expression conveys deep anguish. Her posture and facial features reflect a sense of resignation, inviting viewers to empathize with her plight.
Surrounding the central figure are other characters, each contributing to the narrative of despair. Their expressions range from shock to indifference, highlighting the varied responses to mental health struggles within society.
Asphyxiation serves as a powerful metaphor in Morbelli’s work. It symbolizes the stifling nature of societal expectations and the struggle for personal freedom. The act of suffocation becomes a representation of the loss of hope.
Morbelli’s painting opens a dialogue about mental health and suicide, issues that were often stigmatized in his time. By portraying such a sensitive subject, he encourages viewers to confront these difficult realities.
Morbelli’s brushwork is characterized by a delicate yet expressive technique. The texture of the painting adds depth, allowing viewers to feel the emotional intensity of the scene.
When compared to other works by Morbelli, such as The Last Supper, the emotional resonance in Suicide by Asphyxiation stands out. His ability to convey complex emotions through simple compositions is a hallmark of his style.
Morbelli’s innovative use of oil paints involved layering techniques that created a rich, textured surface. This method not only enhances the visual appeal but also deepens the emotional impact of the painting.
Upon its release, Suicide by Asphyxiation garnered mixed reactions. Some critics praised Morbelli for his bold exploration of taboo subjects, while others found the portrayal of suicide controversial and unsettling.
Morbelli’s exploration of despair and mental health continues to resonate with contemporary artists. His work has inspired movements that address similar themes, emphasizing the importance of mental health awareness in art.
The original painting is housed in the Galleria d"Arte Moderna in Milan, Italy. This museum is dedicated to modern art and provides a fitting context for Morbelli’s work.
The Galleria d"Arte Moderna is significant not only for its collection but also for its role in promoting discussions about art and society. It serves as a platform for engaging with Morbelli’s themes.
Conservation efforts for Suicide by Asphyxiation focus on preserving the integrity of the oil paint and canvas. Experts face challenges such as environmental factors and the natural aging of materials.
Preserving 19th-century oil paintings like Morbelli’s requires specialized techniques. The fragility of the materials and the need for controlled environments are critical to maintaining the artwork’s condition.
Angelo Morbelli’s Suicide by Asphyxiation remains a powerful commentary on the human experience. It challenges viewers to confront the realities of mental health and societal pressures.
By addressing such profound themes, Morbelli encourages ongoing dialogue about mental health, making his work relevant even in contemporary discussions.
Maria Rodriguez, Research Director
Maria leads our research team, ensuring comprehensive coverage of diverse artistic traditions. Her work focuses on expanding representation of non-Western art in our database.
Specialization: Global Art History, Latin American Art
Portrait of the girlfriend by Angelo Morbelli, an oil painting in the Verism style with portraits female themes.
Date
1884
Location
Gallery of Modern and Contemporary Art (GAM), Turin, Italy
Dimensions
159 x 199.5 cm
Style
🖼️VerismPeriod
🧵19th CenturyNationality
ItalianSubjects